1st issue, c.40 bright carmine pink (3b) new without gum.
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1851 - Effigy of Vittorio Emanuele II facing right, 1st issue c. 20 light blue used late 8/20/57 (2, R2 points)
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1851 - Effigy of Vittorio Emanuele II facing right, 1st issue c. 20 light blue used late 8/20/57 (2, R2 points)
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1851 - Effigy of Vittorio Emanuele II facing right, 1st issue c. 20 light blue used late 8/20/57 (2, R2 points)
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MSP12 - 1856 - Issue with dot after the figure, c. 10 roses on letter from Carrara to Modena (9)
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1851 - Effigy of Vittorio Emanuele II facing right, 1st issue c. 20 light blue used late 8/20/57 (2, R2 points)
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SardSP313 - 1820 - Precursors, Sardinian horses II issue, c. 15 very clear dry print on a new half sheet. (4).
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SardSP313 - 1820 - Precursors, Sardinian horses II issue, c. 15 very clear dry print on a new half sheet. (4).
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Sard17 - 1863 - Printed circular sent from Milan to Udine 24/4/63 franked with c. 5 green (13Ea).
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SardSP299 - 1858 - IV issue, c. 5 green yellow horizontal pair + c. 20 ultramarine blue on letter from Turin to Piacenza 23/3/58 (13Ad + 15Aa)
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234- 1861 - IV issue, Letter sent from Cesena to Modena 2/11/61 franked with c. 40 carmine red edition 1861 (16D, Rattone n. 41a)
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258 - 1860 - IV issue, Letter sent from Genoa to Turin 2/8/60 franked with c. 40 red edition 1860 (16C)
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259 - 1857 - IV issue, Letter sent from Genoa to Livorno 22/9/57 franked with c. 40 scarlet red edition 1857 (16A, Rattone n. 33a)
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260 - 1863 - IV issue, Letter sent from Livorno to Lyon 12/6/63 franked with c. 40 intense carmine red edition 1861 (16D, Rattone n. 41d)
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F13-78 - 1861 - IV issue, c. 10 dark olive brown I plate edition 1860 on letter sent from Ancona to CastelFranco 18/10/60, letter sent during the period of Sardinian occupation of the Marche (14Bd).
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F13-80 - 1861 - IV issue, c. 10 dark chocolate brown II panel on letter from Grosseto to Sorano 1/3/62 (15Dd)
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121 - 1861 - IV issue, c.20 greyish cobalt II plate on letter from Genoa to Sarzana 2/11/61 (15Dd)
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BA21-26 - 1862 - IV issue, c.20 light blue II plate on letter from Zoagli to Turin 8/4/62, single canceler with crossed pen strokes (15Da, points R1)
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40 - 1861 - Letter sent from Chiari to Brescia 28/9/61 franked with c. 20 dark ultramarine cobalt II plate (15Di)
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163 - 1861 - Letter sent by Brolo to Palermo 29/8/61 franked with c. 10 dark chocolate brown I table, rare color (14Ce).
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203 - 1859 - Letter sent from Turin to Corio 16/6/59 franked with c. 40 carmine red edition 1859 (16Bb)
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199 - 1859 - Letter sent from Genoa to Milan 30/1/59 franked with c. 40 light scarlet red edition 1857 (16Aa)
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196 - 1857 - Letter sent from Genoa to Levanto 12/19/57 franked with c. 20 Greyish blue I table edition 1857 (15A)
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194 - 1859 - Letter sent from Milan to Lodi 1/11/59, franked with c. 20 Dark blue I table edition 1859 (15B)
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192 - 1862 - Letter sent from Pavia to Turin 29/5/62, franked with c. 20 greyish light blue II table edition 1861 (15Db)
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174 - 1859 - Letter sent from Turin to the city 7/11/59, franked with c. 5 bright yellow green II composition edition 1859 isolated, rare and very beautiful. (13B).
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175 - 1858 - Printed circular sent from Turin to Chieri 11/9/58, franked with c. 5 green yellow defective print I composition edition 1857 isolated, very rare and very beautiful. (13Ah).
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Why choose us
All collectible material offered for sale is detailedly described and documented, guaranteed original and as described, with no negative surprises for the buyer. We are able to fulfill any wish list in the Italian area, from the Ancient States to the Republic.
We can boast the largest stock currently available in the sector. We guarantee all the material sold with our competence, experience, and fairness; we work in the interests of the collector and of philately in general, of which we are deeply passionate. Place your trust in us, and we will repay it with commitment, dedication, and professionalism.

Paolo Cardillo
Paolo Cardillo was born in Turin on February 21, 1966. His studies were predominantly humanistic, ranging from modern literature to advanced music study. His collecting experience dates back to the 1990s, but it was in 2001 that, having developed a passion for the Italian Area and particularly the Ancient Italian States, he decided to delve deeper into the sector, first limiting himself to the study of stamps alone, then analyzing both proofs, essays, and printing methods and the actual use of stamps, including rates, destinations, and postal history in general.

