SARD261 - 1854 - III issue c. 20 gold, color proof of the II composition, new, not gummed (P37a)
Choose your option
SARD261 - 1854 - III issue c. 20 gold, color proof of the II composition, new, not gummed (P37a)
Choose your option
SARD261 - 1854 - III issue c. 20 gold, color proof of the II composition, new, not gummed (P37a)
Choose your option
SARD261 - 1854 - III issue c. 20 gold, color proof of the II composition, new, not gummed (P37a)
Choose your option
SARD261 - 1854 - III issue c. 20 gold, color proof of the II composition, new, not gummed (P37a)
Choose your option
SARD261 - 1854 - III issue c. 20 gold, color proof of the II composition, new, not gummed (P37a)
Choose your option
SARD261 - 1854 - III issue c. 20 gold, color proof of the II composition, new, not gummed (P37a)
Choose your option
SARD261 - 1854 - III issue c. 20 gold, color proof of the II composition, new, not gummed (P37a)
Choose your option
SARD261 - 1854 - III issue c. 20 gold, color proof of the II composition, new, not gummed (P37a)
Choose your option
1860 - 1/2 dark blue tornese called "Croce di Savoia" used in the IL PAESE newspaper of 1/1/1861 (16b)
Choose your option
1860 - 1/2 dark blue tornese called "Croce di Savoia" used in the IL PAESE newspaper of 1/1/1861 (16b)
Choose your option
1862 - Effigy of Vittorio Emanuele II facing right, c. 20 light blue comb-pierced, used (2e)
Choose your option
1st issue, c.40 bright carmine pink (3b) new without gum.
Choose your option
1855 - Sardinia IV issue c. 20 very dark ultramarine (15i) used.
Choose your option
1855 - Sardinia IV issue c. 20 very dark ultramarine (15i) used.
Choose your option
1855 - Sardinia IV issue c. 20 very dark ultramarine (15i) used.
Choose your option
1855 - Sardinia IV issue c. 20 very dark ultramarine (15i) used.
Choose your option
1855 - Sardinia IV issue c. 20 very dark ultramarine (15i) used.
Choose your option
SARD261 - 1854 - III issue c. 20 gold, color proof of the II composition, new, not gummed (P37a)
Choose your option
1862 - Effigy of Vittorio Emanuele II facing right, c. 20 light blue comb-pierced, used (2e)
Choose your option
SardSP344 - 1856 - Lettera spedita da St. jean de Maurice per Lione 27/7/56 affrancata con III emissione c. 5 verde scuro x 2 + IV emissione c. 40 vermiglio rosa (7d + 16c).
Choose your option
Y412 - 1861 - Lettera spedita da Sciacca per Messina 2/9/61 affrancata con c. 10 oliva grigio scurissimo I tavola (14Cb).
Choose your option
Y433 - 1861 - Lettera spedita da Bologna per Firenze 15/9/61 affrancata con c. 10 grigio olivastro chiaro I tavola (14C)
Choose your option
Y434 - 1861 - Lettera spedita da MESSINA per Catania 1/6/61 affrancata con c. 10 grigio olivastro chiaro I tavola (14C)
Choose your option
Y448 - 1861 - Lettera spedita da LIVORNO per Arezzo 29/3/61 affrancata con c. 10 grigio bistro scuro I tavola (14Cf).
Choose your option
Y449 - 1861 - Gran parte di lettera spedita da SIENA per Livorno 25/2/61 affrancata con c. 10 grigio bistro scuro I tavola (14Cf).
Choose your option
Y390 - 1861 - Frontespizio di lettera TORINO-S.Pierre Les Calais 12/3/1861 affrancata con c. 10 bruno grigio olivastro + c. 10 bruno lillaceo 3 esemplari (14B + 14Ba)
Choose your option
Why choose us
All collectible material offered for sale is detailedly described and documented, guaranteed original and as described, with no negative surprises for the buyer. We are able to fulfill any wish list in the Italian area, from the Ancient States to the Republic.
We can boast the largest stock currently available in the sector. We guarantee all the material sold with our competence, experience, and fairness; we work in the interests of the collector and of philately in general, of which we are deeply passionate. Place your trust in us, and we will repay it with commitment, dedication, and professionalism.

Paolo Cardillo
Paolo Cardillo was born in Turin on February 21, 1966. His studies were predominantly humanistic, ranging from modern literature to advanced music study. His collecting experience dates back to the 1990s, but it was in 2001 that, having developed a passion for the Italian Area and particularly the Ancient Italian States, he decided to delve deeper into the sector, first limiting himself to the study of stamps alone, then analyzing both proofs, essays, and printing methods and the actual use of stamps, including rates, destinations, and postal history in general.

