PV1944 - 1860 - Savoy Shield topped with Royal Crown, c. 80 used flesh tone (22).
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PV1696 - 1851 - Marzocco Lion, 9 crazie very dark purple-brown on light blue paper and crown watermark, used, (8a)
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PV1668 - 1851 - Marzocco Lion, 6 indigo crazie on grey paper and crown watermark, used, (7e)
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PV1652 - 1851 - Leone di Marzocco, 6 dark blue crazie on blue paper and crown watermark used, (7c)
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PV1586 - 1851 - Marzocco Lion, 1 carmine on blue paper and crown watermark, used, (4b)
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PV1576 - 1851 - Lion of Marzocco, 1 dark carmine on blue paper and crown watermark, used, Florence heart cancellation. (4a)
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PV1520 - 1851 - Lion of Marzocco, 1 black quattrino on gray paper with watermark, used, (1)
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21-232 - 1857 - Marzocco Lion, 6 bright blue crazie on white paper with wavy-line watermark, used (15a).
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PPP452 - 1857 - Lion of Marzocco, 6 light blue crazie on white paper with wavy line watermark, used (15).
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PP1704 - 1851 - Marzocco lion, 9 crazie brownish-purple on blue paper with crown watermark, used (8b).
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PP1688 - 1851 - Marzocco Lion, 9 crazie very dark brownish purple on blue paper and crown watermark, used (8a).
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PV1678 - 1851 - Marzocco lion, 6 crazie dark gray on gray paper with crown watermark, used (7f).
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PV1633 - 1851 - Marzocco lion, 6 indigo crazie on blue paper and crown watermark, used (7a).
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PV1623 - 1851 - Marzocco Lion, 6 crazie slate on gray paper and crown watermark, used (7).
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PV1610 - 1851 - Marzocco Lion, 4 crazie blue-green on blue paper with crown watermark, used (6a).
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21_211 - 1851 - Marzocco Lion, 2 green-blue crazie on gray paper with crown watermark, used horizontal pair, very high quality, with a very sharp crown watermark on the reverse (5f).
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PV2073 - 1851 - Marzocco Lion, 2 crazie blue-grey on blue paper and crown watermark. (5a, 11 points).
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PV2160 - 1851 - Marzocco Lion, 1 crazia in violet carmine on blue paper and used crown watermark (4c).
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PV1584 -1851 - Marzocco Lion, 1 crazia dark carmine on blue paper with crown watermark, used (4a).
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EC16_300 - 1855 - Bourbon lily surmounted by a ducal crown, 2nd issue c. 25 dark brown-red with the "2" in "25" completely covered by the color, used (8ga).
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PPP994 - 1852 - Bourbon Lily surmounted by ducal crown, first issue 25 c violet used, transparency (4).
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PV990 - 1852 - 1st issue c. 40 light blue used horizontal pair (5).
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PV1035 - 1852 - 1st issue 25 c. violet used (4).
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F7_76 - 1852 - First issue, c. 5 yellow-orange, yellow and light greenish-yellow, used, (1, 1a, 1b).
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PV1062- 1853 - 2nd issue, 5 c. yellow-orange, used, slight defects. (6).
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Sard266 - 1861 - Effigy of Vittorio Emanuele II facing right, c. 10 light grey-brown, I plate used with Bourbon oval of Marsala (14Cc, p.ti R1).
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PV1364 - 1859 - Digit in a rectangle, 8 baj pink used with grid, (8).
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PV1347 - 1859 - Numeral in a rectangle, 4 baj fawn used with grid, (5).
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Sard288 - 1861/63 - Proof print of the c. 80 yellow, unused with original gum, (17Da, variety).
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PV443 - 1859 - 4th issue 5 c yellow-green, 3rd composition, 1859, mint with partial gum. (13Ba).
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F10_69 - 1851 - 1st issue franked fragment with 1 quattrino black + 1 soldo lemon yellow both on blue paper with crown watermark. (1a + 2a).
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Why choose us
All collectible material offered for sale is detailedly described and documented, guaranteed original and as described, with no negative surprises for the buyer. We are able to fulfill any wish list in the Italian area, from the Ancient States to the Republic.
We can boast the largest stock currently available in the sector. We guarantee all the material sold with our competence, experience, and fairness; we work in the interests of the collector and of philately in general, of which we are deeply passionate. Place your trust in us, and we will repay it with commitment, dedication, and professionalism.

Paolo Cardillo
Paolo Cardillo was born in Turin on February 21, 1966. His studies were predominantly humanistic, ranging from modern literature to advanced music study. His collecting experience dates back to the 1990s, but it was in 2001 that, having developed a passion for the Italian Area and particularly the Ancient Italian States, he decided to delve deeper into the sector, first limiting himself to the study of stamps alone, then analyzing both proofs, essays, and printing methods and the actual use of stamps, including rates, destinations, and postal history in general.

