1862 - Effigy of Vittorio Emanuele II facing right, c. 20 light blue comb-pierced, used (2e)
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1862 - Effigy of Vittorio Emanuele II facing right, c. 20 light blue comb-pierced, used (2e)
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1862 - Effigy of Vittorio Emanuele II facing right, c. 20 light blue comb-pierced, used (2e)
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1862 - Effigy of Vittorio Emanuele II facing right, c. 20 light blue comb-pierced, used (2e)
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1862 - Effigy of Vittorio Emanuele II facing right, c. 20 light blue comb-pierced, used (2e)
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1862 - Effigy of Vittorio Emanuele II facing right, c. 20 light blue comb-pierced, used (2e)
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1862 - Effigy of Vittorio Emanuele II facing right, c. 20 light blue comb-pierced, used (2e)
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1862 - Effigy of Vittorio Emanuele II facing right, c. 20 light blue comb-pierced, used (2e)
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1862 - Effigy of Vittorio Emanuele II facing right, c. 20 light blue comb-pierced, used (2e)
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1862 - Effigy of Vittorio Emanuele II facing right, c. 20 light blue comb-pierced, used (2e)
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1862 - Effigy of Vittorio Emanuele II facing right, c. 20 light blue comb-pierced, used (2e)
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1862 - Effigy of Vittorio Emanuele II facing right, c. 20 light blue comb-pierced, used (2e)
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PV1976 - 1862 - Perforated issue c. 10 orange bistro used on small fragment (1g).
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PP1268 - 1878 - Service Overprints, 2 c. on 10 l. lacca used and with inverted overprint, (36b).
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PV1976 - 1862 - Perforated issue c. 10 orange bistro used on small fragment (1g).
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PV1976 - 1862 - Perforated issue c. 10 orange bistro used on small fragment (1g).
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SARD481 - 1863 - 4th issue of Sardinia c. 40 vermilion pink + lithographic c. 15 light blue, type II, used, Livorno Port Office (16F+13)
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SARD480 - 1863 - 4th Sardinia issue 5 c yellowish green + Kingdom 10 c orange ochre on used fragment Genoa 6/1/63 (13Da+1h)
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PV2014 - Kingdom of Italy 1863 c. 15 blue dark gray Sardinia type used (11f)
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F14_97 - 1863 - De La Rue issue, London printing, archival proof of c. 5 in green, block of 4, mint with original watermark and gum (P16)
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VEII101 - 1863 - Provisional lithograph c. 15 ultramarine blue, fake to serve Naples, two used examples on fragment with CANCELED linear (F1).
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PP1054 - 1870/74 - Kingdom tax postage c. 60 ocher and carmine with SAGGIO overprint, new with full original gum, (10).
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PV1987 - 1862 - Perforated issue c. 40 used carmine pink. (3d).
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VEII62 - 1862 - Perforated issue c. 20 indigo vertical pair of which the upper part is notched on three sides and the lower part is not notched, new intact rubber, (2m).
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PV1976 - 1862 - Perforated issue c. 10 orange bistro used on small fragment (1g).
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F6_151 - 1867 - Bigola, c. 15 orange bistro block of 20 specimens lower margin of the sheet of 100 proofs in the type later adopted with new value from c. 20.
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ZZ929 - 1863 - Part of sheet from machine test from c. 15 light blue Sardinia type, printed on thin paper previously used for proof of the revenue stamp,
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VEII20 - 1863 - Tax postmark, oval with value in the center and horizontal writings, c. 10 new orange with rubber, slight defects. (1b)
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F14-99 - 1863 - Tax postmark, oval with value in the center and horizontal writing, c. 10 new ocher with eraser (1a).
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PV1958 - 1862 - Perforated issue, c. 10 used olive yellow (1ba).
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PV1968 - 1862 - Perforated issue, c. 10 used olive bistro (1e).
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Why choose us
All collectible material offered for sale is detailedly described and documented, guaranteed original and as described, with no negative surprises for the buyer. We are able to fulfill any wish list in the Italian area, from the Ancient States to the Republic.
We can boast the largest stock currently available in the sector. We guarantee all the material sold with our competence, experience, and fairness; we work in the interests of the collector and of philately in general, of which we are deeply passionate. Place your trust in us, and we will repay it with commitment, dedication, and professionalism.

Paolo Cardillo
Paolo Cardillo was born in Turin on February 21, 1966. His studies were predominantly humanistic, ranging from modern literature to advanced music study. His collecting experience dates back to the 1990s, but it was in 2001 that, having developed a passion for the Italian Area and particularly the Ancient Italian States, he decided to delve deeper into the sector, first limiting himself to the study of stamps alone, then analyzing both proofs, essays, and printing methods and the actual use of stamps, including rates, destinations, and postal history in general.

