PN139 - 1861 - Black proof of the 2 grana on ungummed white paper, position no. 9 of the block - strip of 10, with posthumous effigy as almost always on these proofs (Cardillo cat. no. P5).
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E7_117 - 1861 - Neapolitan Provinces, lot of used examples with a notable presence of the 5 grana in various color shades and a used 20 grana,
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PV945 - 1861 - Effigy of Vittorio Emanuele II facing right, 20 grana yellow used with original Naples cancellation, also partly showing the red French exchange cancellation on the stamp, (23).
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PN15 - 1861 - Effigy of Vittorio Emanuele II facing right, 10 grana bistre, mint with intact gum. (22d).
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PN229 - 1861 - Effigy of Vittorio Emanuele II facing right, 5 carmine grana with inverted effigy and back printing from the gum side (recto-verso), . (21g/h).
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PN187 - 1861 - Effigy of Vittorio Emanuele II facing right, 2 grana blue, mint with full gum. (20b).
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PN35 - 1861 - Portrait of Victor Emmanuel II facing right, 1/2 grano deep brown, mint with intact gum and double portrait, (18d, graded).
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PV216 - 1861 - Effigy of Vittorio Emanuele II facing right, 1/2 tornese new green with intact gum (17).
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F17_54 - 1861 - Effigy of Vittorio Emanuele II facing right, 1/2 grano bistre brown, mint with gum, defects (18).
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PV944 - 1861 - Effigy of Vittorio Emanuele II facing right 20 grana yellow used with original Naples postmark 12/7/62 (23).
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PV814/24 - 1861 - Effigy of Vittorio Emanuele II facing right, used 1/2 tornese green and 1/2 tornese light yellow-green, slight defects but colors perfectly preserved. (17, 17a).
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F19_56 - 1861 - Unissued, c. 10 umber block of 10 mint stamps with intact original gum (2).
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PN89 - 1861 - Effigy of Vittorio Emanuele II facing right, 50 grana blue-grey, mint with original gum (24c).
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PN214 - 1861 - Effigy of Vittorio Emanuele II facing right, 1/2 tornese yellow-green vertical strip of four mint examples with original gum intact (17e).
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PP1082 - 1863 - Lithographic reprint of the 2 grana stamp in black with inverted posthumous effigy, unused, ungummed (20, reprint).
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PP1081 - 1863 - Lithographic reprint of the 1/2 tornese stamp in black with inverted posthumous effigy, mint without gum (17A, reprint).
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PP1083 - 1863 - Lithographic reprint of the 1/2 tornese stamp in black with posthumous effigy, mint, ungummed (17A, reprint).
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PVN9 -1861 -Effigy of Vittorio Emanuele II facing right 1 grano nero with inverted effigy used with original cancellation, (19e).
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PV952 -1861 -Effigy of Vittorio Emanuele II facing right 20 grana yellow used, (23).
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PVN10 -1861 - Portrait of Vittorio Emanuele II facing right 10 grana yellow-ochre used, slight transparency, rare color. (22c).
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PN95 - 1861 - 50 grain gray block of four new copies with beautiful original rubber (24).
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PN96 - 1861 - 50 grain pearl gray block of four, new with intact gum, beautiful (24).
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1861/62 - 10 grana orange, fake to serve the second type effigy "C" used (F8).
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1861 - gr. 2 light blue + gr. 5 lilac rose used on fragment with Bourbon cancellation from BARI Imprinted in red (20b+21c, points R1). Cardillo certificate.
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1861 - 1 black grain, copy with triple effigy, new with original rubber (19 AD). Cardillo certificate.
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Why choose us
All collectible material offered for sale is detailedly described and documented, guaranteed original and as described, with no negative surprises for the buyer. We are able to fulfill any wish list in the Italian area, from the Ancient States to the Republic.
We can boast the largest stock currently available in the sector. We guarantee all the material sold with our competence, experience, and fairness; we work in the interests of the collector and of philately in general, of which we are deeply passionate. Place your trust in us, and we will repay it with commitment, dedication, and professionalism.

Paolo Cardillo
Paolo Cardillo was born in Turin on February 21, 1966. His studies were predominantly humanistic, ranging from modern literature to advanced music study. His collecting experience dates back to the 1990s, but it was in 2001 that, having developed a passion for the Italian Area and particularly the Ancient Italian States, he decided to delve deeper into the sector, first limiting himself to the study of stamps alone, then analyzing both proofs, essays, and printing methods and the actual use of stamps, including rates, destinations, and postal history in general.

