EC16_332 - 1851 - Marzocco Lion, 4 crazie dark yellow green on grey paper and crown watermark used (6d)
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EC16_309 - 1851 - Marzocco Lion, 2 crazie blue-green on gray paper and crown watermark, used (5e)
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EC16_423 - 1851 - Marzocco Lion, 4 crazie green on grey paper with crown watermark, used (6)
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E11_51 - 1851 - Marzocco I 9-crazie issue, very dark violet-brown on blue paper with crown watermark, used (8a)
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E7_110 - 1854 - Set of examples from the 1st and 2nd issue in mixed condition, all original and used, very high catalogue value. (4/8, 12/15)
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PV1651 - 1851 - Marzocco Lion, 6 crazie dark blue on blue paper with crown watermark, used, (7c).
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TOS151 - 1857 - Marzocco Lion, second issue 6 crazie light blue on white paper with wavy line watermark, (15).
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TOS150 - 1857 - Marzocco Lion, 2nd issue 4 crazie green on white paper and wavy line watermark, (14).
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TOS149 - 1857 - Marzocco Lion, second issue 2 crazie grayish-blue greenish on white paper with wavy line watermark, (13a).
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PV1720 - 1857 - Marzocco Lion, 2nd issue 1 crazia carmine on white paper and wavy-line watermark, used, (12).
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TOS148 - 1851 - Marzocco Lion, first issue 6 crazie indigo on light blue paper with crown watermark, used, (7a).
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PV1638 - 1851 - Marzocco Lion, first issue 6 crazie indigo on blue paper and crown watermark, used, (7a).
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PV1599 - 1851 - Marzocco Lion, first issue lot including 2 cr. gray-blue and 2 cr. bright blue on blue + 2 cr. bluish green + 2 cr. green blue on gray paper, used. (5a, 5b, 5e, 5f).
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Tos147 - 1851 - Lion of Marzocco, 1 crazia carmine on bluish-gray paper with crown watermark, used, (4d).
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PPP449 - 1851 Leone di Marzocco, 2 light blue crazie on gray paper and crown watermark, used (5d)
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PV1619 - 1851 - Marzocco, 4 crazie, two examples in turquoise green and dark green on blue paper, used (6a, 6b).
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PV1525 - 1851 - Marzocco, 1 black quattrino on blue paper with crown watermark, used, one repaired margin (1a).
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RL26/28 - 1857 - Lion of Marzocco, set of stamps on white paper and wavy-line watermark. (13, 14, 15).
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RL23 - 1857 - Marzocco Lion, 1 soldo ochre on white paper and wavy-line watermark, used, slight flaws but rare (11).
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32_97 - 1851 - Marzocco Lion small set of five values comprising 1, 2, 4, 6 and 9 crazie on grey paper and crown watermark in base colors (4, 5, 6, 7, 8).
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EC16_148 - 1851 - Marzocco Lion 1 black quattrino on gray paper with crown watermark used (1).
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TOS122 - 1857 - Marzocco Lion, 1 carmine crazia on white paper and wavy line watermark, used, (12).
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PP783 - 1851 - Marzocco Lion, 9 crazie light purplish-brown on gray paper, used. (8c).
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TOS124 - 1851 - Marzocco Lion, 9 crazie dark violet-brown on blue paper, used. (8a).
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F26_56 - 1851 - Marzocco Lion, 6 crazie slate on grey paper, used. (7).
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TOS127 - 1851 - Marzocco lion, 4 crazie green-blue on blue paper, used. (6a).
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TOS128 - 1851 - Marzocco Lion, 4 crazie green on grey paper used. (6).
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PV1716 - 1857 - Marzocco Lion 1 crazia carmine on white paper with wavy line watermark, used, 12).
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F14_83 - 1851 - Marzocco Lion, 6 crazie blue on gray paper and crown watermark, used (7d).
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PV1696 - 1851 - Marzocco Lion, 9 crazie very dark purple-brown on light blue paper and crown watermark, used, (8a)
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PV1668 - 1851 - Marzocco Lion, 6 indigo crazie on grey paper and crown watermark, used, (7e)
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Why choose us
All collectible material offered for sale is detailedly described and documented, guaranteed original and as described, with no negative surprises for the buyer. We are able to fulfill any wish list in the Italian area, from the Ancient States to the Republic.
We can boast the largest stock currently available in the sector. We guarantee all the material sold with our competence, experience, and fairness; we work in the interests of the collector and of philately in general, of which we are deeply passionate. Place your trust in us, and we will repay it with commitment, dedication, and professionalism.

Paolo Cardillo
Paolo Cardillo was born in Turin on February 21, 1966. His studies were predominantly humanistic, ranging from modern literature to advanced music study. His collecting experience dates back to the 1990s, but it was in 2001 that, having developed a passion for the Italian Area and particularly the Ancient Italian States, he decided to delve deeper into the sector, first limiting himself to the study of stamps alone, then analyzing both proofs, essays, and printing methods and the actual use of stamps, including rates, destinations, and postal history in general.

