EB80 - 1861 - Embossed Cifra, c. 1 gray-black block of four, mint with original gum (19)
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EB80 - 1861 - Embossed Cifra, c. 1 gray-black block of four, mint with original gum (19)
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EB80 - 1861 - Embossed Cifra, c. 1 gray-black block of four, mint with original gum (19)
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EB80 - 1861 - Embossed Cifra, c. 1 gray-black block of four, mint with original gum (19)
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EB80 - 1861 - Embossed Cifra, c. 1 gray-black block of four, mint with original gum (19)
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EB80 - 1861 - Embossed Cifra, c. 1 gray-black block of four, mint with original gum (19)
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UT961 - 1851 - Marzocco Lion, 1 soldo bistro orange on grey paper and crown watermark used (2d)
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Tos159 - 1857 - Tuscany 4 crazie green on white paper with wavy line watermark, used (14)
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Tos161 - 1851 - Tuscany 1 soldo orange on gray paper used with Livorno cancel (2e)
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CG262 - 1857 - Tuscany 2 crazie green on white paper with wavy line watermark, used (13)
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TOS157 - 1851 - Tuscany 1 black quattrino on blue paper and crown watermark, used (1a)
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CG206 - 1857 - Tuscany 2 crazie green on white paper with wavy-line watermark, used (13)
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BA21_220 - 1857 - Tuscany 1 crazia carmine on white paper with wavy line watermark used (12)
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PV2068 - 1851 - Tuscany 2 crazie light blue on grey paper with crown watermark, strip of three used FOR DELIVERY (5, p.ti 9)
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PV60_39 - 1857 - Marzocco Lion, 2 crazie yellowish gray-green on white paper with wavy-line watermark, mint with original gum (13b)
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PV60_38 - 1857 - Lion of Marzocco, 2 crazie blue gray greenish on white paper and wavy line watermark, mint with original gum (13a)
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PV60_43 - 1851 - Marzocco Lion, 1 light carmine crazia on gray paper with crown watermark, mint with original gum (4)
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PV60_47 - 1851 - Marzocco Lion, 1 crazia carmine brown on grey paper and crown watermark, mint with original gum (4e)
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PV60_335 - 1851 - Marzocco Lion, 9 crazie very dark purple-brown on gray paper with crown watermark, used (8d)
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PV60_334 - 1851 - Marzocco Lion, 9 crazie very dark purple-brown on grey paper and crown watermark used (8d)
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PV60_332 - 1851 - Marzocco Lion, 9 crazie light brown-violet on gray paper and crown watermark, used (8c)
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PV60_327 - 1851 - Lion of Marzocco, 9 crazie purple-brown on blue paper with crown watermark, used (8b)
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PV60_325 - 1851 - Marzocco Lion, 9 crazie violet-brown on blue paper with crown watermark, used (8b)
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PV60_324 - 1851 - Marzocco Lion, 9 crazie violet-brown on blue paper and crown watermark, used (8b)
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PV60_323 - 1851 - Marzocco Lion, 9 crazie violet-brown on blue paper with crown watermark, used (8b)
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PV60_301 - 1851 - Marzocco Lion, 1 black quattrino on gray paper and crown watermark, used on fragment (1)
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PV60_319 - 1851 - Marzocco Lion, 1 soldo brown-orange on grey paper and crown watermark used (2d)
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PV1786 - 1857 - Marzocco Lion, 6 crazie deep blue on white paper and wavy-line watermark, used (15b)
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PV1700 - 1851 - Lion of Marzocco, 9 crazie brown-violet on blue paper with crown watermark, used (8b)
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EC16_430 - 1851 - Marzocco lion, 4 crazie green on grey paper and crown watermark used (6)
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EC34 - 1851 - Marzocco Lion, 2 crazie blue-green on grey paper and crown watermark used (5f)
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Why choose us
All collectible material offered for sale is detailedly described and documented, guaranteed original and as described, with no negative surprises for the buyer. We are able to fulfill any wish list in the Italian area, from the Ancient States to the Republic.
We can boast the largest stock currently available in the sector. We guarantee all the material sold with our competence, experience, and fairness; we work in the interests of the collector and of philately in general, of which we are deeply passionate. Place your trust in us, and we will repay it with commitment, dedication, and professionalism.

Paolo Cardillo
Paolo Cardillo was born in Turin on February 21, 1966. His studies were predominantly humanistic, ranging from modern literature to advanced music study. His collecting experience dates back to the 1990s, but it was in 2001 that, having developed a passion for the Italian Area and particularly the Ancient Italian States, he decided to delve deeper into the sector, first limiting himself to the study of stamps alone, then analyzing both proofs, essays, and printing methods and the actual use of stamps, including rates, destinations, and postal history in general.

