PP1082 - 1863 - Lithographic reprint of the 2 grana stamp in black with inverted posthumous effigy, unused, ungummed (20, reprint).
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PP1081 - 1863 - Lithographic reprint of the 1/2 tornese stamp in black with inverted posthumous effigy, mint without gum (17A, reprint).
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PP1083 - 1863 - Lithographic reprint of the 1/2 tornese stamp in black with posthumous effigy, mint, ungummed (17A, reprint).
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PVN9 -1861 -Effigy of Vittorio Emanuele II facing right 1 grano nero with inverted effigy used with original cancellation, (19e).
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PV952 -1861 -Effigy of Vittorio Emanuele II facing right 20 grana yellow used, (23).
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PVN10 -1861 - Portrait of Vittorio Emanuele II facing right 10 grana yellow-ochre used, slight transparency, rare color. (22c).
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PV1942 - 1860 - Savoy Shield surmounted by Royal Crown, c.80 bistro carnicino used (22).
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PP1783- 1857 - Leone di Marzocco, 6 crazie bright blue on white paper with wavy-line watermark, used, defects. (15a).
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PP1721 - 1857 - Marzocco Lion, 1 crazia carmine on white paper with wavy-line watermark, used, defects. (12)
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PP1515 - 1857 - Leone di Marzocco, 1 crazia carmine-violet on blue with crown watermark, used. (4c).
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PP1515 - 1857 - Marzocco Lion, 1 quattrino black on gray paper with crown watermark, used, defects. (1).
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PV580 - 1861 - Printed, numeral error "c.2" on 1 gray-green, unused with original gum intact, slight faults (19bl).
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F9_123 - 1858/62 - IV issue c. 80 yellow printing 1862 used with cancellation of December 1863, (17Da).
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PV1152 - 1859 - III issue c. 15 vermilion used horizontal pair, including position no. 27 with the modified clichΓ© (9b + 9).
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F3_61 - 1852 - 1st issue c.10 white strip of 3 stamps with grouped vertical gap between the first and second stamp (2).
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F9_20 - 1861 - 3rd issue s. 10 brown lot of 5 used stamps, all perfect and with different cancellations. (34).
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PV775 - 1858 - 10 grana light carmine II plate used with Sulmona circular cancel, (11a, p.ti 10)
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PV715 - 1859 - Savoy Shield surmounted by royal crown, c. 20 slate-violet used ,(15).
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PV699 - 1861 - Portrait of Franz Joseph facing right, III issue type, s. 1,05 gray-pink, used. (10d)
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PV680 - 1851 - Blue Mercurio of Type II (c. 3) used with the C1 of Como. (2).
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PV8 - 1859 - II issue II type s. 15 blue mint with full original gum, (32).
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F9_24 - 1863 - Lombardy-Venetia, IV issue s. 10 blue three copies.
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F24_3 - 1854 - 1st issue c. 15 vermilion red machine-made thick paper mint with original gum. (20)
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F9_25 - 1863 - Lombardy-Venetia, IV issue s.15 dark brown, used (40)
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MER36 - 1918 - 1st issue, 5 heller olive-green, black printing on glossy colored paper, mint with intact gum (2).
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PP343 - 1945 - Destroyed monuments, c. 10 brown with overprint "CLN / PATRIOTI / VALLE / BORMIDA / 1943-45" in black, mint with intact gum.(8)
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PP339 - 1945 - Destroyed monuments, c. 30 brown and c. 50 violet with overprint "CLN / PATRIOTI / VALLE / BORMIDA / 1943-45" in vermilion, mint with intact gum.(4A, 5A)
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PV2014 - Kingdom of Italy 1863 c. 15 blue dark gray Sardinia type used (11f)
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F14_97 - 1863 - De La Rue issue, London printing, archival proof of c. 5 in green, block of 4, mint with original watermark and gum (P16)
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BA23-67 - 1857 - Letter with postage due of c. 60 sent on 20/6/57 from Rome to Clermont Therault (France).
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PontSp54 - 1863 - Letter sent from Rome to Foligno franked with b. 3 brown (4Aa).
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Why choose us
All collectible material offered for sale is detailedly described and documented, guaranteed original and as described, with no negative surprises for the buyer. We are able to fulfill any wish list in the Italian area, from the Ancient States to the Republic.
We can boast the largest stock currently available in the sector. We guarantee all the material sold with our competence, experience, and fairness; we work in the interests of the collector and of philately in general, of which we are deeply passionate. Place your trust in us, and we will repay it with commitment, dedication, and professionalism.

Paolo Cardillo
Paolo Cardillo was born in Turin on February 21, 1966. His studies were predominantly humanistic, ranging from modern literature to advanced music study. His collecting experience dates back to the 1990s, but it was in 2001 that, having developed a passion for the Italian Area and particularly the Ancient Italian States, he decided to delve deeper into the sector, first limiting himself to the study of stamps alone, then analyzing both proofs, essays, and printing methods and the actual use of stamps, including rates, destinations, and postal history in general.

