SIC235 - 1859 - Effigy of Ferdinand II of Bourbon, 2 grana blue, first plate, Palermo paper, pos. 56, used (6)
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SIC237 - 1859 - Effigy of Frederick II of Bourbon, 2 grana blue first plate Naples paper pos. 76 used (6a)
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SIC215 - 1859 - Effigy of Ferdinand II of Bourbon, 2 grana blue I plate Naples paper pos. 49 used (6a)
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SIC233 - 1859 - Effigy of Frederick II of Bourbon, 2 grana blue, plate I, Palermo paper, position 95, used (6)
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SIC363 - 1859 - Effigy of Frederick II of Bourbon, 2 bright blue grana, plate I, Naples paper, pos. 84, used, RETOUCH (6f)
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SIC329 - 1859 - Effigy of Frederick II of Bourbon, 2 grana dark cobalt, first plate, Naples paper pos. 82 used, RETOUCHED (6c)
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SIC265 - 1859 - Portrait of Frederick II of Bourbon, 2 grana cobalt, plate I, Naples paper pos.21 used (6b)
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NAP57 - 1858 - Coat of Arms of the Two Sicilies, 2 grana brownish pink, plate I, MONOGRAMMA B.T. watermark, used (5w)
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NAP57 - 1858 - Coat of Arms of the Two Sicilies, 1 grano rose carmine, second plate, MONOGRAM B.T. watermark, used (4l)
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NAP54 - 1858 - Coat of Arms of the Two Sicilies, 2 grana, Plate I, lot of seven examples for study, used (5c and shades)
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NAP53 - 1858 - Coat of Arms of the Two Sicilies, 2 grana, first plate, four examples in different color shades (5a, 5c, 5f, 5g)
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NAP52 - 1858 - Coat of Arms of the Two Sicilies, 1 grano, second plate, three signed and catalogued examples (4, 4, 4c)
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NAP51 - 1858 - Coat of Arms of the Two Sicilies, 1 grano, second plate in the 4 catalogued colors (4, 4a, 4b, 4c)
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NAP50 - 1858 - Coat of Arms of the Two Sicilies, 1 grano, plate I, group of used values in mixed condition, for study and enjoyment (3 and shades)
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BO2515_5 - 1861 - letter sent from Pescara to Mantua 6/9/1861 franked with 1 grano grey + 2 grana blue, two examples (19da + 20b).
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PV239 - 1861 - Portrait of Victor Emmanuel II facing right, 20 grana yellow-orange, mint with original gum (23a)
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PN842 - 1861 - Effigy of Victor Emmanuel II facing right, 2 grana slate blue used on fragment (20c)
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PN204 - 1861 - Effigy of V.E. II facing right, 2 grana vivid ultramarine blue, mint with intact original gum (20ea)
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PN197 - 1861 - Effigy of V.E. II facing right, 2 grana dark blue mint with intact original gum (20d)
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PN196 - 1861 - Effigy of V.E. II facing right, 2 grana blue mint with intact original gum (20b)
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PN217 - Neapolitan Provinces, 1/2 tornese green, mint with original gum intact (17)
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1852 - Duchy of Modena issue with dot after the figure, c. 10 new pink rubber intact (9)
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1852 - Duchy of Modena issue with dot after the figure, c. 10 new pink rubber intact (9)
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MOD141 - 1852 - Este Eagle, c. 10 bright pink issue without a period after the numeral with lower intergroup spacing, used (2a)
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MOD130 - 1852 - Estense eagle, c. 10 pink issue without dot after the numeral, used (2)
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MOD129 - 1852 - Este eagle, c. 10 bright pink issue without dot after the numeral, used (2a)
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MOD128 - 1852 - Estense eagle, c. 10 bright pink, issue without dot after the numeral, used (2a)
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MOD126 - 1852 - Este eagle, c. 10 pink issue without dot after the numeral, used blue folder MIRANDOLA (2, R2 points)
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MOD125 - 1852 - Este eagle, c. 10 bright pink issue without dot after the digit used (2a)
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MOD124 - 1852 - Este Eagle, c. 10 pink issue without dot after numeral, used (2)
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MOD123 - 1852 - Este eagle, c. 10 pink issue without dot after the numeral used (2)
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Why choose us
All collectible material offered for sale is detailedly described and documented, guaranteed original and as described, with no negative surprises for the buyer. We are able to fulfill any wish list in the Italian area, from the Ancient States to the Republic.
We can boast the largest stock currently available in the sector. We guarantee all the material sold with our competence, experience, and fairness; we work in the interests of the collector and of philately in general, of which we are deeply passionate. Place your trust in us, and we will repay it with commitment, dedication, and professionalism.

Paolo Cardillo
Paolo Cardillo was born in Turin on February 21, 1966. His studies were predominantly humanistic, ranging from modern literature to advanced music study. His collecting experience dates back to the 1990s, but it was in 2001 that, having developed a passion for the Italian Area and particularly the Ancient Italian States, he decided to delve deeper into the sector, first limiting himself to the study of stamps alone, then analyzing both proofs, essays, and printing methods and the actual use of stamps, including rates, destinations, and postal history in general.

